Posts Tagged ‘paula scher’

The Map as Art: Contemporary Artist Explore Cartographically (Katharine Harmon)

Tuesday, October 27th, 2009

[Editor’s note: I picked up this fascinating read while in San Francisco earlier this month and devoured the artwork and critical essays by Gayle Clemans on the flight back to DC. Features pieces by Maya Lin and Paula Scher previously mentioned here. Thanks Jag!]

Artists & designers using the map medium for experimental art & innovation http://su.pr/2sijN4

Republished from BrainPickings.

What tattoo art has to do with fashion, vintage atlases and Nazi concentration camps.

We’ve always been fascinated by maps — through various elements of design, from typography to color theory to data visualization, they brilliantly condense and capture complex notions about space, scale, topography, politics and more. But where things get most interesting is that elusive intersection of the traditional and the experimental, where artists explore the map medium as a conceptual tool of abstract representation. And that’s exactly what The Map of the Art, a fantastic Morning News piece by Katharine Harmon, examines.

Corriette Schoenaerts, ‘Europe,’ 2005

Schoenaerts, a conceptual photographer living in Amsterdam, constructs countries and continents out of clothing.

Qin Ga, ‘Site 22: Mao Zedong Temple,’ 2005

In 2002, China’s Long March Project embarked upon a ‘Walking Visual Display’ along the route of the 1934-1936 historic 6000-mile Long March, and Beijing-based artist Qin kept tracked the group’s route in a tattooed map on his back. Three years later, Qin continued the trek where the original marchers had left off, accompanied by a camera crew and a tattoo artist, who continually updated the map on Qin’s back.

Continue reading at BrainPickings . . .

Tag Cloud Map as Interface (Net-Listings)

Thursday, June 11th, 2009

maphelp

[Editor's note: This real estate pricing guide for London uses a tag cloud map as the main interface. Instead of showing a detailed street map or an alphabetical placename list, they use a geographic tag cloud map. Tags are not sized to price. Rather they is color coded for price. Placement of the labels matches their geographic location (roughly speaking). Like many subway maps, the River Thames provides overall orientation.]

Republished from Net-Listings. 

Finding property, flats or houses for sale or to rent in London

 

Simply click on any area of the map and watch the screen reveal information about that area, price guide for area and links to local Estate Agents.

The new page will show you links to Letting and Estate agents in that area of London, a brief description of that area and a rough guide to rents for typical accommodation. You can also use our “Let All Agents Know I am looking” to assist you find a suitable Estate Agent and Property. The price guide can help you decide an suitable areas based on the rental price of a flat or house in London, England.

More Screenshots:

netlistingstagcloudpricinglocal

netlistingstagcloudmapall

netlistingstagcloudmapregion1

netlistingstagcloudsearchalist

netlistingstagcloudsearchamap

Paula Scher: Maps as Tag Clouds?!

Sunday, June 29th, 2008

paula scher europe

paula scher europe detail

Paula Scher has produced a series of nifty map art that focuses more on placenames than their locational placement. The placenames are in correct “relative” space but not absolute space. The names all run together in a placename tapestry where they swirl in colorful waves and eddies. Thanks Curt!

From the Maya Stendhal Gallery press release:

Maya Stendhal Gallery is pleased to announce a solo exhibition of renowned artist and graphic designer Paula Scher, which runs from November 8, 2007 through January 26, 2008. Scher expands on her highly acclaimed Maps series to create her most engaging work yet, depicting entire continents, countries and cities from all over the world that have been the critical focus of attention in recent headlines.

Through an acute understanding of the powerful relationship between type and image, Scher harmonizes witty with tragic, the methodical with the intuitive, and the personal with the universal in these new paintings. Dynamic images are saturated with layers of elaborate line, explosions of words, and bright colors creating a plethora of visual information that produces an emotive response to places lived, visited, and imagined. Scher’s maps also reflect the abundance of information that inundates us daily through newspapers, radio, television, and the Internet to reveal the fact that much of what we hear and read is strewn with inaccuracy, distorted facts, and subjectivity.

On view will be Tsunami (2006) depicting the area that was ravaged by the destructive natural force on December 26, 2004. Evoking memories of compassion and grief, the image is covered by a swirling vortex of words denoting towns, cities, and areas, which echo the violent rotation of that monumental storm. Paris’s (2007) bold blue and white péripherique rigidly maintains the city’s borders. While inside, Paris as we know it beams in a captivating latticework of blue, yellow, green, and purple exuding the city’s sense of vitality and charm. China (2006) shows a colossal landmass with cities, provinces, and roads pulsating in reds, blues, greens, and yellows. Listed above are the astounding statistics that make China one of the world’s great centers of capitalism and culture. Manhattan at night (2007) glows in deep jewel tones of purple, blue, green, and black. This enchanting quality is sobered as the median incomes of various neighborhoods disclose the very different realities of city residents. NYC Transit (2007) projects the city in intricate layers of line, text, and color that culminate with the iconic map of the New York City subway system. The major outsourcing destination of India (2007) takes form in a giant pink landmass accented with bright blue and green road markers and orange location names, which give the impression of a sign for its popular Bollywood industry. Israel (2007) presents the country and bordering countries including Egypt, Palestine, Jordon, Syria, and Iran. Text representing cities and regions is written in varying, haphazard directions communicating a visual sense of conflict and discord. Middle East (2007) segregates the area by rendering each country in its own bold color. The land’s sordid past is remembered through hatch marks and dots representing the Babylonian Empire, Moslem Empire, Ottoman Empire, and Roman Empire.

Ms. Scher began her career creating album covers for CBS Recordings in the 1970ís. She moved on to art direction for magazines at Time Inc., and in the 1980ís formed her own boutique firm, Koppel & Scher. She has been a principal at the New York-based Pentagram design consultancy since 1991, where she has created visual identities for Citibank, The New York Public Theater, and the American Museum of Natural History, among others.

Further reading:

Andy Woodruff over at the Cartogrammar blog has a post that lists other tag cloud like maps with images.